American State Flag Redesigns are BORING (But We Can Do Better)

Animal Perspective Books: A Comprehensive History of Naturalist Animal Xenofiction

Puss in Boots: The Last Wish is the Movie We've Been Missing

The Nearly Forgotten Xenofiction Masterpieces of Brian Carter

The Brilliance of Zuko’s Story | The Element that Truly Elevated Avatar: The Last Airbender

The Meaning of Watership Down & The Plague Dogs | A Critical Analysis

The Presidents have Book Club on Discord to Talk About their Favorite Xenofiction Novels

Answering Your Questions | The Cardinal West 50K Subscriber Q&A

That Time a Dog Became a Catholic Saint, Kind Of | The Tale of Guinefort the Greyhound

How Shrek Kneecapped American Animation

How Adapting The Fox and the Hound Changed Animation

Why I Love the Song “Bodys” by Car Seat Headrest

Why I Love the Song “High to Death” by Car Seat Headrest

Balto and the Art of Animation: A 25th Anniversary Retrospective on an Animated Classic

Fantastic Mr. Fox: Wes Anderson’s Surprise Stop-Motion Masterpiece

The Ancient Trickster Hiding in Plain Sight | Reynard the Fox

Writing Animal Societies in Mythic Xenofiction | An Exercise in Creative Worldbuilding

The Library: Avatar’s Most Underrated Episode

My Book, Winter Without End, is Now Available for Purchase!

We Missed the Point of The Fox and the Hound | Daniel Mannix’s Misunderstood Literary Masterpiece

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How (Not) to Write Xenofiction: A Literary Autopsy of “One for Sorrow, Two for Joy” by Clive Woodall

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