കാലം മറക്കാത്ത തകർപ്പൻ മാപ്പിളപ്പാട്ടുകൾ | Old Superhit Mappilappattu Collection | Audio Jukebox
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 Published On Nov 3, 2023

Watch കാലം മറക്കാത്ത തകർപ്പൻ മാപ്പിളപ്പാട്ടുകൾ | Old Old Superhit Mappilappattu Collection | Audio Jukebox

00:10 Husunul Jamalane
4:20 Maane Mayile Manikuyile
9:49 Azhakaar Muhammadhin
15:00 Mazhavil Virinjallo
19:37 Misirile Rajan
24:58 Anarga MuthMala
28:36 Sifathukalereyund
34:14 Raihanathoppil Virinjoru
41:15 Ya Nabiye Assalam
46:29 Uratheyya Moulal
51:52 Aadharavaya
55:22 Aake Padachonte
59:59 Ambanpukazhntha Yanabi
1:05:16 Aashicha Pole Nadakkula
1:09:27 Aboobacker Sidheeqin
1:13:59 Aliyaare Kalyana Puthuma
1:17:55 Allah Ahade Ya
1:24:10 Noorattal Nabiyum
1:28:02 Padumee Kadha
1:32:44 Kudamulla Chiriyulla
1:38:38 Kaafmala Kanda
1:42:19 Bhedhambar Nabik
1:46:25 Kadalinte Akkare
1:52:19 Tharanam Pithavore
1:56:50 Kuttithathamme Nee
2:05:42 Mahiyil Mahaseenenn
2:10:08 Thoubakoru Vathil
2:15:17 Thullalum Kilipattum
2:20:26 Mattathil Panthalu
2:25:12 Ambiya Raja
2:29:08 Badhireengale Petta
2:35:11 Kathunna Karbala
2:40:47 Arikil Vannotte
2:44:42 Padi Bilalenna
2:48:58 Poomakalane Husnul

#mappilappattu #malabarfm #mappilappattukal #mappilappatt


Mappila songs (or Mappila Paattu) are a folklore Muslim song genre rendered to lyrics, within a melodic framework (Ishal), in Arabi Malayalam by the Mappilas of the Malabar region in Kerala, India.Mappila songs have a distinct cultural identity, while at the same time remain closely linked to the cultural practices of Kerala.

The songs often use words from Persian, Hindustani, and Tamil, apart from Arabic and Malayalam, but the grammatical syntax is always based in Malayalam.They deal with themes such as religion, love, satire, and heroism, and are often sung at occasions of birth, marriage, and death. Mappila Paattu form an integral part of the heritage of Malayalam literature today and is regarded by some as the most popular branch of Malayalam literature, enjoyed by all Malayali communities in Kerala and Beary speaking communities of Karnataka .

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