When it comes to the character of Spider-Man, we’ve seen it all from Raimi’s iconic trilogy, the MCU’s more tech-heavy and modern trilogy, some stunning animated Miles Morales films, and even a catalogue of disappointing spin-offs which follow villains like Venom, Morbius, and Kraven- and even the upcoming Madame Web which promises to deliver yet another mediocre spin-off film in Sony’s ongoing attempt to give us Spider-Man movies that don’t feature Spider-Man.

But tucked away in the depths of the Spider-Verse is Marc Webb’s 2012 reboot, The Amazing Spider-Man. A film that was released just 5 years after Raimi’s disappointing third installment of the Toby Maguire era and was marketed to be the untold story of Peter Parker and capture the darker elements of the character and his origins. This, of course is hot off the success of Christopher Nolan’s Batman Begins and (at the time) upcoming Dark Knight films which had added a prestige touch to the genre of comic-book movies and pushed studios to make darker fare out of their own heroes. Now, the topic of Andrew Garfield as Spider-Man is one that, in recent years, has seen somewhat of a resurgence as Garfield’s appearance in No Way Home gave audiences a chance to see him finish his character arc and swing into the sunset one last time... Or was it?

With recent talks online of “Superhero fatigue” and Cameo-driven muck, it gets easier and easier to believe that the once anticipated Amazing Spider-Man 3 may still be in the cards for fans of Garfield’s take on the web-head. But for me, I’m holding out any hype until I’ve gone back into the Marvel vault and taken a proper retrospective look on Marc Webb’s original installments and see how well they stack up against all the iconic (and not so iconic) films in this ever-expanding library of wall-crawling-cinema.

So, if you’re ready than refill your web shooters and aim them directly at that like button, and let’s take a look back on 2012’s The Amazing Spider-Man.

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