Much thanks to sound engineer Steve Lee, who added audio, as well as the final shot in the film.
Many stages occurred between my rough animation and the final shot. A key clean up artist, (Renee Holt, I believe,) did the key poses asst. redrew with sharp, clean lines, (others followed her with the clean up inbetween drawings,) which were photocopied onto cells and painted. Then the cells were sent to ILM, (George Lucas' Industrial Light & Magic studio,) near San Francisco, where mattes with shadows, highlights and tones were added to marry the animation with the live-action footage.
Once all that was completed for every shot involving animation, sound effects and the final score was completed, and prints were struck to be sent to theaters everywhere.