Inside Track: Shortlisted High Line Plinth Proposals

Call for Ideas | Virtual Information Session | Recorded January 2024

Call for Ideas | Virtual Information Session | Recorded December 2023

Azikiwe Mohammed, "First Excursions First Horizons," a High Line Performance

Pamela Rosenkranz, "Old Tree," a High Line Plinth commission

Miguel Gutierrez' "sueño" on the High Line

Forward Spaces: The Importance of Infrastructure Investment | October 12, 2022

Forward Spaces: Where Can Tech Take Us in Urbanism | October 14, 2022

Forward Spaces: Future-Proofing Privacy & Data in the Public Realm | October 14, 2022

Forward Spaces: Celebrating History of Place | October 13, 2022

Forward Spaces: The Underline, Technology, and a New Approach to Public Spaces | October 13, 2022

Guillermo Galindo, "Remote Control," 2016/2022

Guillermo Galindo, "Remote Control," 2016/2022.

Paul Maheke, "A fire circle for a public hearing," 2022

HIgh Line Horticulture: Piet Oudolf's 2022 High Line Visit

The making of Paola Pivi's "You know who I am," a High Line Commission

High Line Overview

Cecilia Vicuña's Insectageddon on the High Line: Cecilia Vicuña

Cecilia Vicuña's Insectageddon on the High Line: Sarah Ward

Cecilia Vicuña's Insectageddon on the High Line: Anne Waldman

Cecilia Vicuña's Insectageddon on the High Line: Anusha Vaish

Cecilia Vicuña's Insectageddon on the High Line: Shop Stopping Choir

Cecilia Vicuña's Insectageddon on the High Line: Giuliana Furci

Cecilia Vicuña's Insectageddon on the High Line: Scout Kerensky-Coodley

Cecilia Vicuña's Insectageddon on the High Line: Bertha Lewis

Cecilia Vicuña's Insectageddon on the High Line

Remote Control: Aerial Empowerment, Drones for Art, Activism, and Collective Journalism

Remote Control: Closing Presentation

Remote Control: Surfacing the War on Terror Today

Remote Control: Artists Talk with Sam Durant and Omer Fast