In this expose I will be digging into the motivations behind the conspiracy.
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▼ The Game ▼
“You are a contracted worker for the Company. Your job is to collect scrap from abandoned, industrialized moons to meet the Company's profit quota. You can use the cash you earn to travel to new moons with higher risks and rewards--or you can buy fancy suits and decorations for your ship. Experience nature, scanning any creature you find to add them to your bestiary. Explore the wondrous outdoors and rummage through their derelict, steel and concrete underbellies. Just never miss the quota.”

▼ My Take ▼
Look, I had no plans to play Lethal Company. I’m not much for the “every streamer and their mom is playing this, so I should play it too” school of decision-making. That being said, this game is yet another case study in my time-proven theory that there is no game made worse by proximity-based voice chat. The sound design in Lethal Company is unparalleled (and also absolute hell for an amateur post-production sound mixer) and the whole reason this game turns into comedy-night every time you play it is that it makes all of us into voice actors. For that reason, it has my recommendation. Good luck, and I hope that you become a great great asset for the company.

▼Timestamps▼
0:00 NASA is hiding something
0:25 Hard evidence
0:56 Legal disclaimers
1:25 LETHAL COMPANY
2:20 horrors of the outer moons
3:20 fight night
3:46 Tree lore
5:14 why NASA bad
5:44 two men one shovel
6:25 all is lost
7:11 back in the field
8:00 space is a dangerous place

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